{"id":72665,"date":"2018-05-16T10:25:23","date_gmt":"2018-05-16T10:25:23","guid":{"rendered":"http:\/\/4catspictures.com\/?page_id=72665"},"modified":"2025-12-18T09:51:37","modified_gmt":"2025-12-18T09:51:37","slug":"toni-novella-producer","status":"publish","type":"page","link":"https:\/\/4catspictures.com\/en\/toni-novella-producer\/","title":{"rendered":"TONI NOVELLA. Producer"},"content":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/2″][vc_single_image media=”72220″ media_width_percent=”100″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ css=”.vc_custom_1531421013550{padding-right: 10% !important;padding-left: 10% !important;}”][vc_custom_heading separator=”under” subheading=”Producer”]TONI NOVELLA[\/vc_custom_heading][vc_tabs el_class=”estilito”][vc_tab title=”Curriculum” tab_id=”1524505776-1-37″][vc_column_text uncode_shortcode_id=”439233″]Toni Novella is a graduate in Media & Communication Science – specialising in Image and Sound, from Madrid’s Universidad Complutense. During his time as a student he began his career in film production as apprentice production manager on films such as Bazar Viena<\/em><\/strong> (1989) by Amalio Cuevas. On finishing his studies he worked as production assistant on Pedro Almod\u00f3var’s High Heels<\/em><\/strong> (1991) and Eduardo Campoy’s Demasiado Coraz\u00f3n<\/em><\/strong> (1991).<\/p>\n

From 1992 he worked as production assistant on a long list of films including Acci\u00f3n Mutante <\/em><\/strong>(“Mutant Action”<\/strong>, 1992) by Alex de la Iglesia, Luis Garc\u00eda Berlanga’s Todos a la C\u00e1rcel<\/em><\/strong> (“Everyone Off to Jail”<\/strong>, 1993), Kika<\/em><\/strong> (1993) by Pedro Almod\u00f3var, Arruinados<\/em> and S\u00e1lvate si Puedes<\/em> <\/strong>(1994) by Joaqu\u00edn Trincado, Almod\u00f3var’s The Flower of My Secret<\/em><\/strong> (1995) Live Flesh<\/em><\/strong> (1997) and All About My Mother<\/em><\/strong> (1998), Cha, Cha, Cha<\/em><\/strong> (1997) by Antonio del Real and Manuel G\u00f3mez Pereira’s Entre las Piernas<\/em><\/strong> (“Between Your Legs”<\/strong>, 1998).<\/p>\n

His first film as Production Manager was Ray Loriga’s La Pistola de Mi Hermano<\/em><\/strong> (“My Brother’s Gun”<\/strong>, 1997), followed by One of the Hollywood Ten<\/em><\/strong> (2000) by Karl Francis, Guillermo del Toro’s The Devil’s Backbone<\/strong> (2000), Intacto<\/em><\/strong> (2000) by Juan Carlos Fresnadillo and Almod\u00f3var’s Talk to Her<\/em><\/strong> (2002).<\/p>\n

From 2002, Toni Novella has been Line Producer of films such as Descong\u00e9late<\/em> (\u201cChill Out\u201d)<\/strong> by F\u00e9lix Sabroso and Dunia Ayaso and Almod\u00f3var’s Volver<\/em><\/strong> (2005), for which he received his first nomination for a Goya award. These were followed by The Bourne Ultimatum<\/em><\/strong> by Paul Greengrass (2007), on which he was the production manager: second unit, Madrid, Steven Soderbergh’s Che<\/em><\/strong> (2007), Almod\u00f3var’s Broken Embraces<\/strong><\/em> (2008) and Andrucha Waddington’s Lope<\/em><\/strong> (2009), for which he received his second Goya award nomination. Pedro Almod\u00f3var’s 2010 film The Skin I Live In <\/em>saw<\/strong> him once again nominated for a Goya Award for Best Production Direction. Next came Red Lights<\/em><\/strong> by Rodrigo Cort\u00e9s (2011), Almod\u00f3var’s I’m So Excited<\/em><\/strong> in 2012 and Turning Tide<\/strong> <\/em>by Christophe Offenstein (2012).<\/p>\n

In 2013 Toni Novella worked on Ridley Scott\u2019s blockbuster Exodus<\/strong> as the Production Manager in Almer\u00eda.<\/p>\n

For his work on Fernando Gonz\u00e1lez Molina’s Palm Trees in the Snow<\/em><\/strong> (2014), he was again nominated for a Goya Award. In 2015 he won his first Goya and Premio Gaud\u00ed awards for Best Production Direction for El Ni\u00f1o<\/em><\/strong> by Daniel Monz\u00f3n. Also in 2015 Toni was Line Producer on Almod\u00f3var’s Julieta<\/em><\/strong>, while in 2016 he was also Line Producer on Lennart Ruff, Titan<\/em><\/strong>, as well as on Fernando Gonz\u00e1lez Molina’s The Invisible Guardian<\/em><\/strong>.<\/em><\/p>\n

In 2017, he signed as Line Producer for\u00a0Sara’s Notebook<\/strong> by Norberto L\u00f3pez Amado and Yucat\u00e1n<\/strong> (2017) by Daniel Monz\u00f3n. In 2019 he does so for El viaje de Marta (Staff only)<\/strong> by Neus Ball\u00fas and Pedro Almod\u00f3var\u2019s Pain and Glory<\/strong> for which he obtains the Audiovisual Valenciano Award to the Best Production Direction and appears, once again, among the nominees to the Goya Award to the Best Production Direction.<\/p>\n

In 2020 he appears as Line Producer of \u2018Nieva en Benidorm<\/strong>\u2018 by Isabel Coixet, film for which, another more time, Toni is nominated in Goya Awards for Best Production Direction, and also as Delegate Producer of Malasa\u00f1a 32<\/strong> by Alberto Pint\u00f3 and\u00a0El verano que vivimos<\/strong>\u00a0by Carlos Sedes.\u00a0In 2022 he produced and worked as Line Producer in\u00a0Live is life. La gran aventura<\/strong>, by Dani de la Torre.<\/p>\n

In 2023 the animated film \u2018Mummies<\/strong>\u2018 is released worldwide, of which Toni is a producer. In 2024 arrives in cinemas\u00a0\u201cBuffalo Kids\u201d,<\/strong>\u00a0which he also produces. In 2026 comes \u201cIdols<\/strong>\u201d, a large-scale film of which he is the producer and Line producer.<\/p>\n

As well as his prolific career in cinema, Toni has also directed production on a number of television mini-series and advertisements.<\/p>\n

He gives classes on Production at a number of universities and film schools.[\/vc_column_text][\/vc_tab][vc_tab title=”Filmography” tab_id=”1524505776-2-54″][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner width=”1\/1″][vc_column_text]<\/p>\n

Features Films<\/h4>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner width=”1\/3″][vc_column_text uncode_shortcode_id=”124101″]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text uncode_shortcode_id=”138639″]\u00cddols<\/strong> (Mat Whitecross) 2026<\/p>\n

Producer and Line producer.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Buffalo Kids<\/strong> (Juan Jes\u00fas Garc\u00eda Galocha y Pedro Sol\u00eds) 2024
\nProducer[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Mummies<\/strong> (Juan Jes\u00fas Garc\u00eda Galocha. \u201cGalo\u201d) 2023
\nProducer[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Live is life. La gran aventura<\/strong> (Dani de la Torre) 2022<\/p>\n

Producer and Line Producer[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]El verano que vivimos<\/strong>\u00a0(Carlos Sedes) 2020<\/p>\n

Delegate Producer[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Malasa\u00f1a 32<\/strong> (Alberto Pint\u00f3) 2020<\/p>\n

Delegate Producer[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Nieva en Benidorm <\/strong>(Isabel Coixet) 2020<\/p>\n

Line Producer<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Dolor y gloria\u00a0<\/strong>(Pedro Almod\u00f3var) 2019.<\/p>\n

Line Producer<\/p>\n

\u2605 Valencian Audiovisual Award for the best Production Management[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]El viaje de Marta (Staff only) <\/strong>(Neus Ball\u00fas) 2019.<\/p>\n

Line Producer[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]El Cuaderno de Sara<\/strong> (Norberto L\u00f3pez Amado) 2017<\/p>\n

Line Producer[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Yucat\u00e1n <\/strong>(Daniel Monz\u00f3n) 2017.<\/p>\n

Line Producer[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]El Guardi\u00e1n Invisible <\/strong>(Fernando Gonz\u00e1lez Molina) 2016.<\/p>\n

Line Producer[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]The Titan<\/strong> (Lennart Ruff) 2016.<\/p>\n

Line Producer[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Julieta<\/strong> (Pedro Almod\u00f3var) 2015.<\/p>\n

Line Producer[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]El Ni\u00f1o<\/strong> (Daniel Monz\u00f3n) 2015.<\/p>\n

Line Producer<\/p>\n

\u2605 Goya Best Production supervision.
\n\u2605 Gaud\u00ed Best Production supervision.<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Palmeras en la Nieve (Palm trees in the snow) <\/strong>(Fernando Gonz\u00e1lez Molina) 2014.<\/p>\n

Line Producer[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Exodus (<\/strong>Ridley Scott) 2013.<\/p>\n

Production Manager (Spain)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]En solitair<\/strong>e <\/strong>(Christophe Offenstein) 2012.<\/p>\n

Production Manager (Spain)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Los amantes pasajeros (I\u2019m so excited!) <\/strong> (Pedro Almod\u00f3var) 2012.<\/p>\n

Line Production[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Red lights<\/strong> (Rodrigo Cort\u00e9s) 2011.<\/p>\n

Line Production[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]La piel que habito (The skin I live in) <\/strong> (Pedro Almod\u00f3var) 2010.<\/p>\n

Line Production[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]The Way<\/strong> (Emilio Est\u00e9vez) 2009.<\/p>\n

Line Productor[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Lope<\/strong> (Andrucha Waddington) 2009.<\/p>\n

Line Productor[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Los abrazos rotos<\/strong> (Broken embrances<\/strong>) (Pedro Almod\u00f3var) 2008.<\/p>\n

Line Production[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Ch\u00e9: Guerrilla<\/strong> (Steven Soderbergh) 2007.<\/p>\n

Line Production[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]The Bourne Ultimatum<\/strong> (Paul Greengrass) 2007.<\/p>\n

2\u00ba Unit Production Manager (Spain)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Asterix aux Jeux Olympiques<\/strong> (Fr\u00e9d\u00e9ric Forestier \/ Thomas Langmann) 2006.<\/p>\n

Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Volver<\/strong> (Pedro Almod\u00f3var) 2005.<\/p>\n

Line Production[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Obaba <\/strong>(Montxo Armend\u00e1riz) 2004.<\/p>\n

Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]La mala educaci\u00f3n (Bad education) <\/strong> (Pedro Almod\u00f3var) 2003.<\/p>\n

Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Descong\u00e9late (Chill out!) <\/strong>(F\u00e9lix Sabroso y Dunia Ayaso) 2002.<\/p>\n

Line Production[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Hable con ella (Talk to her)<\/strong> (Pedro Almod\u00f3var) 2001.<\/p>\n

Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Intacto (Intact)<\/strong> (Juan Carlos Fresnadillo) 2000.<\/p>\n

Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]El Espinazo del Diablo (The Devil\u2019s backone) <\/strong> (Guillermo del Toro) 2000.<\/p>\n

Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Punto de Mira (One of the Hollywood ten)<\/strong> (Karl Francis) 2000.<\/p>\n

Assitant Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Leyenda de Fuego<\/strong> (Roberto L\u00e1zaro) 2000.<\/p>\n

Assistant Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Sexy Beast<\/strong> (Jonathan Glazer) 1999.<\/p>\n

Localitation Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]The world is not enough (Bond 19)<\/strong> (Michael Apted) 1999.<\/p>\n

Localitation Manager (Bilbao)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Mission: Impossible II<\/strong> (John Woo) 1999.<\/p>\n

Localitation Manager (Sevilla)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Todo sobre mi madre (All about my mother) <\/strong> (Pedro Almod\u00f3var) 1998.<\/p>\n

Assistant Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Entre las piernas (Between your legs) <\/strong>(Manuel G\u00f3mez Pereira) 1998. <\/strong><\/p>\n

Assistant Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Cha Cha Ch\u00e1 <\/strong>(Antonio del Real) 1997. <\/strong><\/p>\n

Assistant Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]C<\/strong>arne tr\u00e9mula (Live flesh) <\/strong>(Pedro Almod\u00f3var) 1997.<\/p>\n

Assistant Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]La pistola de mi hermano (My brother\u2019s gun) <\/strong>(Ray Loriga) 1996.<\/p>\n

Manager Production[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]La flor de mi secreto (The flower of my secret) <\/strong>(Pedro Almod\u00f3var) 1995.<\/p>\n

Assistant Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Arruinados \/ S\u00e1lvate si puedes <\/strong>(Joaqu\u00edn Trincado) 1994.<\/p>\n

Assistant Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]El d\u00eda nunca, por la tarde <\/strong>(Juli\u00e1n Esteban) 1994. <\/strong><\/p>\n

Property Master[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Kika <\/strong>(Pedro Almod\u00f3var) 1993.<\/p>\n

Assistant Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Todos a la C\u00e1rcel (Everyone off to jail) <\/strong>(Lu\u00eds Garc\u00eda Berlanga) 1993.<\/p>\n

Assistant Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Acci\u00f3n Mutante (Mutant Action) <\/strong>(Alex de la Iglesia) 1992. <\/strong><\/p>\n

Assistant Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]El Hombre de la Nevera <\/strong>(Vicente Tamarit) 1992. <\/strong><\/p>\n

Assistant Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Dime una mentira \/ Los siete errores<\/strong> (Juan Sebasti\u00e1n Bolla\u00edn) 1992.<\/p>\n

Assistant Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Tacones Lejanos (High Heels) <\/strong>(Pedro Almod\u00f3var) 1991.<\/p>\n

Production Assistant[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Demasiado Coraz\u00f3n<\/strong> (Eduardo Campoy) 1991.<\/p>\n

Production Assistant[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Bazar Viena<\/strong> (Amalio Cuevas) 1989.<\/p>\n

Apprentice Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/1″][vc_column_text]<\/p>\n

Short Films<\/h4>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Feliciten al Chef<\/strong> (Eva S. Nofuentes) 2006<\/p>\n

Producer (Dad\u00e1 Films)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]La vida siempre es corta <\/strong>(Miguel Albaladejo) 1993<\/p>\n

Assistant Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/1″][vc_column_text]Seg\u00fan el corte <\/strong>(Jos\u00e9 Bottamino) 1993<\/p>\n

Assistant Production Manager[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/1″][vc_column_text]<\/p>\n

Television<\/h4>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Marco<\/strong> (F\u00e9lix Viscarret) 2012. <\/strong>Bamb\u00fa Producciones for Antena 3 TV.<\/p>\n

Line Producer[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/1″][vc_column_text]Historias del Milenio <\/strong>(Miryam Pedrero de Aristiz\u00e1bal) 2008\/09. <\/strong>El S\u00f3tano.doc for Televisi\u00f3n Espa\u00f1ola.<\/p>\n

Producer[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Las Cerezas del Cementerio <\/strong>(Juan Luis Iborra) 2004. <\/strong>Coral Valencia S.L. for Televisi\u00f3n Espa\u00f1ola<\/p>\n

Line Producer[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\"\"[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]Despacito y a Comp\u00e1s (Cristina Hoyos) <\/strong>Marta Molins 2002. Itaca Media for Tele 5<\/p>\n

Line Producer[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tab][\/vc_tabs][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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